本帖最后由 xinshaojie 于 2014-2-24 10:44 编辑
建筑师：rojkind arquitectos 位置：Eje 1Poniente (Av. México-coyoacán), Xoco,贝尼托华雷斯，墨西哥市03330，联邦区，墨西哥 创始合伙人：米歇尔rojkind 合作伙伴：Gerardo萨利纳斯 项目团队：GerardoVillanueva, Barbara Trujillo, Alfredo Hernández, Diego Leal, Andrea León,Rodrigo Medina, Philipp Schlauch, Beatriz Zavala, Birgit Hammer, Juan ManuelOrtuño, David Stalin, Alonso de la Fuente, Rafael Cedillo, Arie Willem deJongh, Victor Martínez, Adrian Aguilar, David Guardado 媒体：莫妮克rojkind，辛西娅卡德纳斯，多洛雷斯罗伯斯，Rosalba罗哈斯 面积：49000平方米 年份：2014 照片：保罗Rivera，Jaime纳瓦罗 室内设计原理：阿尔伯托比利亚雷亚尔，贝洛 室内设计团队：IsaacSmeke, Felipe Castañeda, Emilia Franssen, Alejandra Hernández 室内设计合作：EsraweStudio 结构工程：CTC公司 屋顶结构工程：工作室、 MEP：IPDS 景观环境设计：AmbienteArquitectos A / V顾问：奥尔巴赫波洛克Friedlander 声学顾问：seamonk 照明顾问：思想在Y公司Luz 平面设计：Citrico+ Welcome Branding
From the architect. Since its reopening, the Cineteca NacionalSiglo XXI attendance numbers continue to surprise with a total of 806,803viewers in 2013 -an increase of 29.22% compared to the previous year and with1,287 more movies screened-.
A 10-month construction schedule set by political times putthe construction team in a fast track mode to finish the project beforePresident Felipe Calderón left office in December 2012. As a result, someaspects of the project were postponed or canceled in order to get it done intime for an official ceremony. Luckily, and not common in projects thattranscend from one administration to the another in Mexico, the new governmentadministration has committed to finishing the work according to the originaldesign and see the project come to its full completion. The work is expected tobe completed by the end of the summer.
Even though theproject is not fully executed, the design team is enthusiastic about how it hasalready changed the community. “It’s a very democratic, very social space,”says Gerardo Salinas partner at Rojkind Arquitectos. “When we proposed thisidea originally, the government authorities were very doubtful that areas likethe outdoor amphitheater could be used by everyone—affluent people as well aspeople with less resources.” But that is precisely what has happened, he says. Located in thesouthern quadrant of Mexico City, the National Film Archive and Film Instituteof Mexico is home to the most important film heritage of Latin America. Itscampus occupied an underutilized site of considerable dimensions within thestrangled town of Xoco. This historic town, once surrounded by agricultural land,now sits deep within the urban sprawl and faces extinction due to economic andpolitical pressures from developers and municipal authorities which covet itsprivileged location.
The existing complex dated from 1982, when a fire destroyedpart of the campus and most of its archive, and was a “temporary” facilitynever well suited for its purpose. Additionally, thousands of people cross thegrounds daily as they walked to and from one of the city’s nearby metrostation, Estación Metro Coyoacan.
Facing total renewal, Cineteca’s original project briefincluded the expansion and renovation of the existing complex incorporatingadditional vault space and four more screening rooms. But in response to theimmediate urban condition, additional restorative work needed to be done toreclaim part of the site as public space, give relief to the densenew-development- filled surroundings of Xoco and accommodate the constant flowof pedestrians and casual visitors.
First, surface parking was consolidated into a six storystructure freeing 40% of the site. Then the pedestrian friendly “backentrance”, located across the street from the historic town’s cemetery, wasreactivated –70% of Cineteca patrons use public transportation and arrive byfoot–. The reclaimed space now houses the new program organized along two axes,one perpendicular to the street of Real Mayorazgo becoming the main pedestrianentrance and the other perpendicular to Av. México-Coyoacán for both car andpedestrian access.
The axesintersection became a new 80m x 40m public plaza sheltered from the weather bya hovering canopy connecting the existing complex with the new screening rooms.Clad in composite aluminum panels, with varied size triangular perforations,the roof structure wraps around the new screening rooms and becomes theirfaçade. The sheltered space functions as the foyer for the old and newscreening rooms and can accommodate additional program options such asconcerts, theater, exhibitions, etc. “We didn’t want it to feel like you’re inthe lobby of a commercial cinema, we wanted it to feel more like a universitycampus, with everything floating in a park” says design principal MichelRojkind. An outdooramphitheater, extensive landscaping and new retail spaces were added to theoriginal program expanding the possibilities for social and culturalinteraction and exchanges, and giving the complex a university campus feel.
The new screening rooms seat 180 each and the existingscreening rooms were updated with current technology. Overall the complex cannow seat 2,495 visitors in indoor theaters. The outdoor amphitheater has a750-person capacity. Two new film vaults were also added to the site,increasing Cineteca’s archive capacity by 50,000 reels of film. Parkingcapacity was also increased by 25% to a total of 528 cars.
The thousands of people that use the grounds everyday nowfind welcoming unrestricted public space: commuters still walk back and forthacross the campus in the morning and evening, medical staff from a nearbyhospital stop by to eat their lunches at noon, students hang out at the park inthe afternoon, and moviegoers attend free outdoor events in the evening. Theadded amenities have turned the campus into a favorite gathering space not onlyfor moviegoers but also for Xoco residents and workers who have appropriatedthe space as if it were their backyard.
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