Each year Denmark’s quirkily named Agency for Culture and Palaces and the Danish Arts Foundation sponsor a showcase of Danish craftsmanship during Salone del Mobile in Milan. Called Mindcraft, it brings together both well-established and emerging talents across a wide field of crafts, from product...
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Confident, relaxed, refined, enduring … they’re the keywords that define the second volume of GlobeWest’s Collections 2026. Featuring 12 ranges and 350-plus products, it’s a not-insignificant statement both in terms of quantity and design intent, signalling the company’s commitment t...
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,客户:Price f(x), ,面积:9,149 sqft,年份:2022,坐落:Prague, Czech Republic, ,行业: Hardware / Software Development, ,collcoll embraced shapes and strong lines throughout the installations and design of the Price f(x) offices in Prague, Czech Republic.,The changes in ...
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Entry and courtyard of Expormim’s Factory and Showroom at ‘La Venta’, Moixent, Spain. 图片 © Expormim.Details from Expormim’s Factory and Showroom ‘La Venta’. 图片 © Expormim.Details from Expormim’s Factory and Showroom ‘La Venta...
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Best in Show: Stockholm Furniture Fair 2016.
Our recent coverage of Imm Cologne 2017 and Maison & Objet 2017.
More articles relating to our coverage of Stockholm Design Week. INSTALLATIONS.,摄影 @ Mathias Nero. Sulla Bocca di Tutti (On Everybody’s Lips) by Note Design Studio // The co...
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...his is zen. at the same time, the new Chinese-style furniture replaces the heaviness of traditional wooden furniture, creating a light and elegant atmosphere.
餐厅开放式的空间通透而明亮,线条分明的灰色皮质餐椅与黑色大理石元素的桌子、方形灯具搭配相...
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本帖最后由 触觉设计 于 2019-12-20 11:36 编辑
所有的人,起初都只是空心人。所谓自我,只是一个模糊的影子,全靠书籍绘画音乐电影里他人的生命体验唤出方向,并用自己的精力去充填,渐渐成为实心人。At first, all people were j...
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Design Academy Eindhoven 2016 Graduation Show, Curated by Formafantasma. Bhutan Colour Memories by Manouk Pekelder // “Childhood memories can be very powerful. Years later we can still recall the green smell of resin in the pines behind the house, the rushing of water on dark grey stones in the r...
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..., yet human aesthetic for the upcoming working class, its designers relied heavily on normed sizes. These are based on average human body dimensions such as body height and arm reach, to ensure optimum use. So while it uses a standardised production technique, Tanita Klein’s design refuses to take...
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「逆时而生,顺时而现」Up Time for Birth, Inverse Time for Reveal
城市的崛起,消费文化的张扬,离不开过去高速发展的工业化进程。也许是人们弃旧恋新的心理在作怂,工业化辉煌过后所留下的建筑躯体,往往容易被遗忘,部分幸...
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