|
SPAGHETTI BENCH For his series ‘Spaghetti Bench’ Pablo Reinoso took public benches of anonymous design as a starting point for his reflection. These benches cross cultures and have something of the out-of-time and out-of-date about them.
Reinoso stages benches and other furniture that, having fulfilled their role as furniture, becomes once again branches that can grow and climb. They are no longer at the service of a function but retrieve their life and their condition. We might say that the desire of wood boards is revealed; that they indulge themselves and have fun while doing what is expected of them — being furniture. Thus they may at last express themselves freely by marrying architecture, roaming through places, exploring gaps, and giving free rein to their whims.
意大利面条长椅 他的系列的意大利面台巴勃罗·雷诺索以匿名的设计作为他思考的出发点公共长椅。这些长凳跨文化和有过时的东西和过时的关于他们的。 雷诺索阶段台等家具，家具，在完成了他们的角色，再次成为分支可以生长的攀登。他们不再是在一个功能的服务而获取他们的生活和他们的条件。我们可以说，实木板的欲望被显示；他们放纵自己，有乐趣，他们的期望是什么-家具。因此，他们可能在最后的自由表达自己娶了建筑，漫游的地方，探索的差距，和放纵他们的突发奇想。
|
