Artek showroom
上周，为了参加斯德哥尔摩家具博览会，我们冒着危险的冰天雪地的条件，幸亏在抵达时发现了许多令人眼花缭乱的温暖和舒适的室内环境。
尽管斯德哥尔摩总是一场国际性的展览，但它始终能激发游客对斯堪的纳维亚经典造型的新热情。今年，人们对北欧的影响-我们指的是温暖、朴实和自然-的认可比以往任何时候都要强烈。从炉边配件的形式和功能到发光的新照明理念，即使是最酷的与会者也在解冻。
照常照明是一个关键的焦点。在世界上一些地方，他们可以在漫长的黑暗冬天里充分利用这一点，瓦斯特伯格(瑞典)，北方照明(挪威)，
温室-这个专门为设计学校、新毕业生和独立设计师举办的博览会-产生了一大批令人印象深刻的新想法。珍·法格(Jen Fager)是当时多产的年轻瑞典人，他自己设计了这个空间，还展示了新的零贝里斯宁(Zero Belysning)灯具系列和新的Klong室内镜子-这是首次参展，手工艺精湛。
即使是保罗·史密斯(PaulSmith)，他今年负责为博览会设计一年一度的休息室设施，也同意人们可能厌倦了“极简式的优雅”，因为我们之前已经看到过很多次了。他说：“我想要传播一种有趣的乐观气氛，让人感到振奋。”休息室，人字形地板和广泛的花卉墙壁覆盖，也向吉奥庞蒂，史密斯的设计英雄之一致敬。
在露天游乐场外，也有一些有趣的卫星展览。我们特别受到“与朋友”的形式的启发-瑞典的设计集体“我们与爱”展示了它的最新项目，其最受欢迎的客户将在一个即将被改造成新酒店的建筑工地上。他们的豆袋，基地为声音，是一个崩溃的港口，对许多人来说，经过漫长的一天贸易光顺。
就在不远的地方，北欧光酒店展示了亚历山大·勒维奇的不同座位安装。受到机场传送带的启发，以及它们对疲惫旅行者的吸引力，这是一个我们都能理解的想法。
舒适和工艺也是当天在Artek的命令，谁-庆祝75年的业务今年-举行了它的第一个周年活动，修改了它的400个椅子由伊尔斯克劳福德。主人用驯鹿皮来纪念品牌的根基，他在店内的斯德哥尔摩陈列室展示了他们的技巧，同时还供应了热腾腾的茶杯。出乎意料的是，在这一切结束的时候，我们都感觉到了北方的温暖。
New ceramic bathroom accessories by Johan Golv
‘Bolero’ pendant light by Ruben
‘Straw’ chairs by Osko + Deichmann, for Blå Station
‘Dunder’ sofa, by Stefan Borselius, for Blå Station
Desirée outdoor chair, by Yngve Ekström, for Swedese – originally designed in 1954
‘Antelope’ chair, by Monica Förster, for Swedese
‘Mesh’ table light, by Jens Fager, for Zero
‘Wood’ table light by Fredrik Mattson, for Zero
Bins and storage in new blue colourway by Lundqvist
Outdoor furniture collection by Vestre
New stools in painted wood by Nordic Care
‘Sex Bombs’ glass containers with tops made out of layers of waste wood, by Matilda Ringnér
‘Two’ pendant lights in bone china, by Marc Braun
‘Bond’ table and tray, by Marc Braun
‘Stanza’ cabinet and room divider, by Keisuke Kawase
Pendant lighting to display a favourite ornament or prop, by Chen Karlsson
‘Underfull’ tablecloth with a hidden pattern that is revealed only when wet, by Kristine Bjaadal
Shelving unit with rubber covers, by Jakob JØrgensen
New furniture and lighting collection by Formify
'Totem' shelf by Broberg & Riddersråle for Klong
‘Koffert’ storage, by Jonas Bohlin, ‘Geometri’ mirror, by Jens Fager, ‘Triuf’ basket, by Mats Broberg & Johan Ridderstråle, all for Klong
‘Lean’ wall lights, by Jenny Bäck, for Örsjö
‘Nana’ chair, originally designed in 1956, by Tapiovaara
‘Domus’ chair, originally designed in 1946, by Tapiovaara
‘Y’ wall hook, by Stina Sadwall, for SMD Design
New table lamp, by Inga Sempe, for Wästberg
New collection by 101% Brussels including designs by Nathalie Dewez, Jean-Françoise D’Or, Lhoas & Lhoas, Hugo Meert and Chevalier-Masson
Alvar Aalto chairs and stools are re-upholstered in Swedish reindeer fur, by Ilse Crawford
Alvar Aalto stools, re-upholstered in fabrics by Fanny Aronsen
‘In the Dark’ sake cups made in Urushi, a Japanese lacquer from Wajima, by Teruhiro Yanagihara, exhibited at KIKI gallery
‘Composition’ set of plates made in Urushi, a Japanese lacquer from Wajima, by Teruhiro Yanagihara, exhibited at KIKI gallery
‘Flames’ crystal candle holder, by by Teruhiro Yanagihara, exhibited at KIKI gallery
Tableau of furniture and other items in grey by Cecile Manz
Tableau of bottles in grey by Cecile Manz
Side table and coat hooks by Daniel Enoksson
New furniture collection by Katarina Häll, inspired by Swedish scenery
New furniture collection by Thomas Bernstrand, including a coat hanger system and parasol
Harri Koskinen
Ilse Crawford
keywords:Stockholm Furniture & Light Fair
关键词：斯德哥尔摩家具
上周，为了参加斯德哥尔摩家具博览会，我们冒着危险的冰天雪地的条件，幸亏在抵达时发现了许多令人眼花缭乱的温暖和舒适的室内环境。虽然斯德哥尔摩总是一个国际性的演出，但它从来不会不去欣赏.
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