The New York design gallery R. & Company is staging 'Brazil Modern', an impressive exhibition of furniture, textiles, and archival material ranging from the 1940s to 2012
继今年早些时候举办的“莉娜·巴迪·罗伯托·伯勒·马克思”展览之后，纽约设计画廊R
展览由R策划
尽管画廊在现代设计大炮中占有显著的地位——包括乔·科伦坡、Wendell Castle和Greta Magnusson Grossman——这些年来，它使著名的设计师不仅进入市场，而且通过对研究的承诺，使自己与众不同。增强公众意识。“巴西现代”是创业和研究密集型方法的副产品之一。许多作品从来没有公开展出过，许多作品是由多年来前往巴西的美术馆负责人精心梳理而成的。
由于这个国家最近的政治历史是一个军事独裁国家，大部分设计工作不得不留在国内，留下了大量的世纪中叶文物，这些文物在巴西以外的地方基本上是不为人所知的。迈尔斯说，大多数人仍然没有出口许可证。
此次展览预计将于2016年3月在莫纳切利出版社出版一本新书，名为“巴西现代”，作者是阿里克·陈(Aric Chen)(由迈尔斯介绍)。画廊展览中包含的许多物品将在这本书中得到更全面的分析。对于迈尔斯来说，20世纪的设计历史仍处于草稿阶段。“巴西是本世纪中叶的最后一个伟大发现。”
Curated by principal Zesty Meyers, the show seeks to capture the diversity of Brazilian design
Many of the works have never before been publicly exhibited, and many were acquired by the gallery principals travelling to Brazil over many years
Walls painted in different shades of blue reference Brazil’s trademark sky and water.
Due to the country’s political history as a military dictatorship, most design work had to stay within the country
As a result, there is a vast trove of mid-century artifacts largely unknown outside Brazil
The exhibition precedes the publication of a new book, Brazil Modern, due out in March 2016, which will include many of the pieces in the show
'Brazil is the last great discovery of mid-century design,’ says Meyers
keywords:Galleries, Oscar Niemeyer, R & Company, New York design, Brazilian design
关键词：画廊，奥斯卡·尼迈耶，R
继今年早些时候举办的“莉娜·巴迪·罗伯托·伯勒·马克思”展览之后，纽约设计画廊R
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