Highlights From Milan Design Week 2017.
Video Highlights From Milan Design Week 2017.Team Yellowtrace travelled to Milan courtesy of Cathay Pacific, who fly to Italy several times each week. Cathay’s great connections from Australia allow getting from Sydney to Milan in under 24 hours, including transit times. For more information visit cathaypacific.com.au. SALONE SATELLITE.
Left: Trio Sphere Pendant by Danish designer Mette Schelde features a light source placed in the centre of the three fragmented spheres. So hot! Right: 7 Lamp by the trio of Finnish designers Luomo Collective.
Left: Split & Store room divider and storage unit-in-one by Rens. - 摄影 @ Aisha Zeijpveld. Right: Poster Mirror by Haruko Arai / Zemi (collective of students from Kyoto Institute of Technology).
SPAZIO ROSSANA ORLANDI
Escape Series by Fernando Mastrangelo, who uses commonplace materials – such as salt, coffee, sand, glass and cement – to cast sculptural objects that straddle disciplines of fine art and design.
Left: Ombre Glass Chair by Latvia-born, Netherlands-based designer Germans Ermičs. Photo by Jussi Puikkonen. Right: ‘Structural Skin’ Leather Lamp by Spanish designer Jorge Penadés, who devised a new production method that transforms leather waste into a completely new material.
Terrazzo Tables by Georgian design studio Rooms.
At Palazzo Clerici, Envisions returned with an experimental collaboration between Dutch designers and the Spanish wood manufacturer Finsa, where the emphasis was not on the finished product but the possibilities uncovered along the way. Envisions considers the process to be one of design’s defining factors, one which is often undervalued and rarely – if ever – exposed throughout the industry. Left: Iwan Pol for Envisions. - 摄影 @ Ronald Smits. Right: Simone Post for Envisions.
- 摄影 @ Ronald Smits.
Left: Inderjeet Sandhu examines our need for classification and how one should be labeled. By reproducing the plants and flowers in a material foreign to them (like copper, marble, brass and embroidery), the objects enter ambiguous territory. - 摄影 @ Erik Smits. Right: Child Studio’s ‘In the Shadow of a Man’ features a collection of glowing glass spheres that appear to be rolling and sliding from the top of geometric plinths.
Left: Big Arm by Swedish designers Färg & Blanche, presented at the duo’s solo show ‘Amour mon Amour’ at 5Vie. Right: Giopato & Coombes reflected on the famous essay ‘Ornament and Crime’ by architect Adolf Loos – asking is ornament really a crime when it goes hand in hand with technological and functional growth? The answer to this question took the form of three lights, marrying manufacturing quality and technology with the beauty of ornament. - 转载自：Yellowtrace
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