Fitzroy House | Erin Lambrecht Studio | 2025 | 澳大利亚
On a leafy corner block in Hobart’s Sandy Bay, Fitzroy House by Erin Lambrecht Studio brings a sense of warmth and joy to a Victorian-era cottage, revitalising the interiors to encompass vibrant family life.With the tree-lined streets of Sandy Bay serving as a backdrop, this four-bedroom heritage cottage was originally built in the mid- to late-1800s. Fast forward to 2018, the new custodians of the abode engaged Crump Architects to connect the freestanding garage to the main house, and this sensitive rear addition now features a galley kitchen and second living area with a mezzanine level above.
While this update brought greater natural light and functionality to the residence, the spaces were still defined by an existing monochromatic palette. “The interiors were a cold white shell … it was just not them at all,” says designer Erin Lambrecht of her clients. They gave Lambrecht creative freedom to bring a more authentic, rich materiality into the home. Her goal was to liven up the interiors to reflect the family’s personality, as well as ensure it was robust enough to withstand the wear and tear of everyday life with two young children and a dog.Working from a blank canvas, Lambrecht focused on creating spaces that felt like home from the outset. “We wanted everything to feel like it was lived in on day one,” she says. “There were no precious areas – everything’s liveable, it’s all practical. It was about making sure that everything had that sensibility.” The designer opted for resilient natural finishes throughout the abode, combating the stark white walls with a soft limewash in pale mushroom and muted blue hues. Adding texture and depth to each room, this wall finish also acts as a neutral backdrop for a bold and eclectic series of furnishings.
From the chocolate-brown couch to delicate rice paper lanterns and expressive, tactile artworks by the likes of Ben Mazey and Ochre Lawson, Fitzroy House is filled with personal, carefully considered details. Jewel-toned velvets sit alongside timber joinery, vintage furniture is layered with contemporary pieces and adventurous patterns are used sparingly to create rhythm and interest. Lambrecht wanted each corner of the family residence to be playful and distinctive but also aimed to balance that richness with restraint. “You can’t have fireworks going off everywhere,” she says. “You have to pull back on some areas to let the other areas sing, and I think every room does sing in this project.”The galley kitchen has become a particular favourite of the clients. The hand-rubbed finish on the stainless-steel cabinetry adds a subtle, matte sheen to the industrial material, paired with aged brass handles and a marble benchtop in blush-pink and storm-grey tones. “It isn’t your typical Australian kitchen,” says Lambrecht. Bamboo matchstick blinds filter natural light into the space, while speckled terrazzo floors link it with the living and dining areas.
Custom joinery also plays a key role in Fitzroy House. The built-in coffee nook, bench seat and dining table – all made by local joiners in Australian timbers – are designed to feel more like furniture than fittings. “We wanted it to feel like there were all these freestanding elements rather than built-in cabinets,” says Lambrecht. “They are all really practical and necessary, but they feel like bespoke furniture that’s been inserted.”One of Fitzroy House’s unique features is a double staircase, which leads to both an attic bedroom and the primary suite. To honour the original structure, Lambrecht added an integrated border that frames the stairs like a traditional runner. Upstairs in the attic bedroom, she turned an unused corner of the space into a cubby nook. Painted in a radiant orange hue with an arched doorway and a circular wall cut-out, it’s a favourite hideaway for the children. “It’s like a little pocket of magic,” she says. The same could be said of the primary ensuite – another sensation of vibrant colour and pattern with chequered tiles, timber cabinetry and a show-stopping green bathtub.
Across the project, Lambrecht maintained a clear design philosophy: to create something both unique and enduring. “I always try to avoid an interior space looking like it was following a trend or done in a certain year,” she says. “This needs to look as good as it does now in 10 years’ time.” With longevity and sustainability front of mind, Lambrecht maintained a commitment to craft and reuse – local makers were engaged wherever possible, and many pieces were reupholstered rather than being replaced.Ultimately, Fitzroy House is a fantastic example of how a playful and practical interior transformation can bring new life to a home, reflecting not only the character of the building but also the lifestyle, energy and joy of its inhabitants.
Architecture by Crump Architects. Interior design by Erin Lambrecht Studio. Joinery by Crescon Joinery. Metalwork by Wellington Steelworks. Stone by Artedomus. Tiles by Luke Helmers Professional Tiling. Wall finishes by THX Painting & Rendering. Carpet by Supertuft. Artwork by Tim Burns, Ochre Lawson, Ben Mazey and Trent Parke.
- 项目文案：Emily Riches
- 项目摄影：Lillie Thompson
- 转载自：The Local Project
- 图片@The Local Project
- 语言：英语
- 编辑：序赞网
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