Key components continue the strategy of keeping mass low and boundaries porous. The television console and kitchen storage are conceived as semi-furniture pieces, set within the open plan so that architectural lines remain visible and can extend through the space without being absorbed by millwork. With circulation paths on both sides, movement is distributed rather than channelled, encouraging an easy navigation between zones while maintaining the central clarity of the sightline.
Materiality is pared back to reduce visual interference. White space is treated as a working surface for light, amplified by flush planes, softened curves and open structures that encourage a sense of extension. Instead of relying on sharp textural contrast, depth is carried by proportion and the gradual shift of light and shadow across surfaces throughout the day. Curvilinear ceilings and rounded contours further temper edges, promoting an enveloping softness that blurs where one area ends and another begins. Boundaries become less fixed, more atmospheric.
Within this restraint, tactile moments are concentrated and precise. Raw, natural materials appear in crafted details such as the custom-cut supports to the television unit and the leather weaving of the foyer screen. These interventions offer a grounded, hand-held counterpoint to the otherwise quiet field of white and curve, enriching the interior without adding clutter.
Lighting is composed as a flexible layer rather than a single statement. Dedicated placements for floor, table and wall lamps allow the homeowner to adjust mood intuitively, introducing gentle pools of illumination that sit against the calm backdrop as subtle decorative emphasis. In its totality, Boundary is a vacation home defined by clarity and subtraction: a place where lines remain long, edges remain soft, and space is allowed to feel continuous.
