This dialogue between comfort and form is further explored in Corsetto, an armchair by Cristián Mohaded. With its pillowy volumes and disciplined frame, the piece suggests a tension between restraint and release. Its name, evoking a corset, speaks to a formal language that holds, supports and envelops the body.
Naoto Fukasawa’s Bosco armchair brings a more organic sensibility to the collection. Inspired by the rolling hills of Tuscany, the swivel chair is characterised by soft lines, generous volumes and a sense of quiet ease. It is a piece designed to settle naturally within its surroundings, offering comfort through both form and feeling.