The new collection for Mutina, Emisferi, began with the brick as a point of departure and expanded from there. A modular ceramic element conceived not simply as a surface, but as structure. Stacked, repeated or rotated, it can divide a room without closing it, create permeable walls that filter light and sight, and give a space the kind of quiet order that emerges through repetition. Our starting point was the hemisphere: a form so reduced it almost disappears. Yet, multiplied across a surface, it generates rhythm, depth and a play of light and shadow. Positive and negative, fullness and void, neither can exist without the other.
